Filed under: Film Musings | Tags: 26/11, asab. bombay times. hindi cinema, independent cinema, India, indian cinema, Kasab, oorvazi, oorvazi irani, short film, The K File, you tube
ASAB SPEAKS to the Filmmaker Oorvazi Irani
Asab: Oorvazi ! hi ! I was happy to read the Bombay Times headlines ‘Kasab is now Asab’. I have taken a second birth after your film and it feels nice to be in the spotlight. Tell me oh master why did you create me and why this name ?
Oorvazi: You are not Kasab but an artistic persona that represents and symbolizes Kasab. So I take out the K and with that I put you into the realm of artistic imagination and beyond real life. You are an abstraction of all terrorists who wrongly take the name of religion and strike terror. At the root of terrorism is the evil desire of greed and power. I created you to symbolize that evil.
Asab: Being your creation, I have two selves one is the artistic character that speaks to you and one is the character that has taken birth. Its interesting to be having this dual consciousness and be able to have this conversation with you. But I am sorry if I did not meet up to the expectations of some of your audiences.
Oorvazi: It’s a great pleasure to be talking to you too. Film is a subjective experience and I am sure there are enough people who appreciated your existence and understood your worth and let me tell you these are people I highly respect in that list. A dear friend once told me, its impossible to satisfy everybody, don’t even try.
Asab: But tell me Oorvazi, why did you make me one dimensional and not explore my motives my inner world. Is not having complex characters a sign of intelligent cinema, you should know better you are a film educationalist.
Oorvazi: Ha ha ! Asab you do ask intelligent questions and I see you have been reading some of my film reviews too. Agree to what you say but the danger in exploring your inner world and motives would be to put you in centre stage and give you prominence and sympathy which this film did not intend to do. I am sorry but in this film you are a means to an end and not an end in itself. Your one dimensional character was important to bring about the aspect of the ‘killing machine’ which a lot of these terrorists are with a lack of conscience. But I am sure meeting a real terrorist will make another film and reveal new realities.
Asab: Was the film about me or the Minister who was the hero and who was the villain ?
Oorvazi: Good question ! this film has no hero and no vilian in the conventional sense. If you look at it from the plot point of view, the Minister is the hero as he kills you, Asab the hated terrorist. But going deeper, the Minister is no hero himself he does not kill you for justice but for his own gain. He is equally evil as you are. For him the issue of terrorism, justice, human life is not important, what is important is his self-centered world of power and politics.
Asab: But who actually fired the bullet, this is a question that many are unclear about
Oorvazi: I am happy the way its turned out, that its got a ‘gap’ for audience interpretation but as a filmmaker I intended the Minister’s smile in the end to explain it all.
Asab: Now the character is taking over….” Sali mutton biryani kabhi khilayegi ?”
Oorvazi: If I meet you in hell I’ll treat you for that …
Watch the movie “The K File” if you have not yet done that, on the blog
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