Filed under: Film Musings | Tags: acting, acting technique, acting technique in india, acting workshop, auteur, film, film acting, film auteur, film workshop, Michael Chekhov, Michael Chekhov Acting Technique, michael chekhov acting technique in india, oorvazi irani
AUTEUR & ACTING
The Michael Chekhov Acting Technique
Presented by Oorvazi Irani
If cinema is the director’s medium
And the director is an artist, an Auteur
An Auteur director works in collaboration with the writer which is the first stage of creation
But collaboration with an actor with an acting technique can lead to an exciting final stage of creation waiting to be explored
The question I propose to ask today is – Can an auteur director involve with the actor with the technique of acting itself. Rather than orienting himself to the actor’s style of acting can he introduce and work with the actor together as a collaborative teamwork. Can they both work in a new collaboration where the character comes to life and is truly born from the marriage of the writer , auteur director and actor.
The next question will be how does the auteur director go about this process.
The first step would be for the auteur director to understand the challenges of the actor as an artist and put himself through the process. Not to become an actor but to experience firsthand the possibilities.
Also what this does for the auteur director is that it helps him to live the part of the character and become one with his creation, he might not be the most skilled individual to bring the character to life but he can share the joy of creation with the actor and discover his characters from a deeper source adding nuances that have escaped the writer. Ofcourse the writer could also be included in the process, as acting is the final phase of the written script and it actualizes the potential of the story and screenplay.
The challenges an actor faces are the demands to transform himself into other characters and to bring them to life by emoting truthfully. Every actor has his own way of responding to these demands which he either evolves with experience or by following a particular acting technique.
The most popular means used to act is – to use one’s personal memories and personality to act. As an artist I find that limiting the ‘art of acting’. I believe any form of art should put the individual in a position to evolve and not regress and high points in artistic creation are experienced by the artist and audience when the artist has transcended the ego.
The Michael Chekhov acting technique unlike some other acting techniques is not regressive but fun and creative and any individual who wants to creatively ‘play’ can start the exploration. Michael Chekhov himself was a great actor, director born in Russia in 1891. He devoted his whole life to developing and perfecting a revolutionary acting technique that does not use personal memories and one’s limited personality to act but at the core of the technique is the use of the actor’s ‘Imagination’ and the actor’s ‘Body’ . The actor is treated as a creative artist and the possibilities of creation are infinite with specific tools like the ‘Imaginary Body’ – ‘Imaginary Centre’ – ‘Psychological Gesture’ – ‘Sensations’ with which the whole world opens up to the actor and the world inside him strives to reach out surrendering to the joy of creation.
An Auteur can rediscover himself and his film in artistic collaboration with the actor – are there any takers in India for this exciting journey to join the list of internationally respected actors and directors who are inspired by and follow the acting technique like Clint Eastwood, Jack Nicholson, Ingrid Bergman, Anthony Hopkins, Johnny Depp, Marilyn Monroe, Joanna Merlin, Anthony Quinn, and many more.
For more information on the technique do visit my website, link below
Article first published on the movie website http://www.madaboutmoviez.com